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JEWETT'S 



NATIONAL 




DULON, THE BLIND fLCTIST. 



I 



FLUTE TEACHER. 




Comprising Concise and Simple Rules of Instruction, and a 

Complete and Beautiful Variety of Popular Airs, Quick- 

steps, Marches, Waltzes, Quadrilles, &c., and 

several Beautiful Duetts, composed and 

newly arranged by a Distinguisiied 

Professor of Mnsic. 



BOSTON : 

PUBLISHED BY OLIVER DITSON & CO., -VrASHINGTON ST. 

NEW YORK: S. T. GORDON. PHILA: BECK & LATVTON. 

CINCINNAJI : TEUAX & BALDWIN. 




PRESENTE^D TO THE jVJ^,, /^ ; 









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COWBiriM, 



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JEWETT'S NATIONAL ..,. / 



itOy 



FLUTE TEACH EH: 



COMPRISINQ 



CONCISE AND SIMPLE RULES OF INSTRUCTION, 



AND 



A COMPLETE AND BEAUTIFUL VAEIETY OF POPULAK AIES, QUICKSTEPS, MARCHES, WALTZES, 

QUADRILLES, &c. &c., AND SEVERAL BEAUTIFUL DUETS. 

COMPOSED AKD NEWLY ARRANGED 

BY A DISTINGUISHED PROFESSOE OF MUSIC. 

BOSTON^: 
PUBLISHED BY OLIVER DITSON «& CO. WASHINGTON ST. 

NEW YORK; S. T. GORDON.-PHILADELI'IIIA : BECK & LAWTON.-CINCINNATI: TRUAX & BALDWIN 



Bnlered aocorilliig to Act of Congress, ia the year laSO, by 
JOHN P. JEWETT & Co. 
In the Clerk's Office of the District Court of the District of Massachnsetts. 

STEKEOTITED BT EOBAET k KOEBIBS, N. E. TYTE AND STEREO. FOtWDERY, 
BOSTOK. 



MUSICAL DICTIONARY. 



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Adagio, very slow. 

Affettuoso, affectionately. 

Alleoeo, quick. 

Andante, middle time. 

Arco, the bow. 

Bis, twice. 

Coda, an extra passage at the close. 

Con Spmrro, with spirit. 

Da Capo, from the beginnmg. 

Dolce, sweet. 

DoLORoso, sorrowful. 

Flne, the end. 

Forth,/., loud. 

Fortissimo, ff., very loud. 

FoRZANDo, fz., strike forcibly and diminish rapidly. 

Geazioso, gracefully. 

Laboo, very slow. 

Larohetto, faster than Largo. 

Legato, connected, flowing. 



Lento, slow and gentle. 

Loco, in place. 

Mezzo, medium. 

MoLTO, very 

Piano, p., soft. 

Pianissimo, pp., very soft. 

Pizzicato, pizz., play with the fingers. 

Peksto, quick. 

Pkimo, the first. 

Quartet, music in four parts. 

Secondo, the second part. 

Segno, sign. 

Solo, alone. 

Spieitoso, with spirit. 

Staccato, short and distinct. 

Tema, a theme. 

VoLTi Subito, turn over quickly. 

VrvACE, quick, brisk. 



RUDIMENTS OF MUSIC. 



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Music is written on five parallel lines, which, with the four spaces formed by them, take the name of Stave, thus: — 



f ==== == ^== 

2 — s — — 

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Seven are the names given to all the notes of music, and they correspond to the first seven letters of the alphabet, thus : — 

La Si Do Re Mi Fa Sol 

A B C D E P G 

To give a fixed name to each line and space, the Clef of Sol or G is used for the Flute, and is located upon the second line, thu: 

Clef of Sol, or G. fe :== 

SCALE FOR THE FLUTE. 

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Notes have value correspondins to their shape, thus : 

Whole. Half. vjusr— Eighth. ^^ Sixteenth. 

Semibrere. Minima. Crotchets. Qnavere. Semionavere. 

Ods. Two. Fonr. Eight Sixteen. 



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Rudiments of Music. 



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There are seven rests corresponding in length to the above notes, thus : 



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Semibreve. Minim. Crotchet Quaver, Semiquaver. Demisemiquaver. HemidemisemiquaTer. 

Sharps (#) are used to elevate a semitone, the notes before which they are prefixed. 
Plats (b) are used to depress them a semitone. 
Naturals (b|) are used to restore the notes to their original sound. 

When at the beginning of a piece they are called signature sharps, flats, or naturals, and at the middle of a piece they are called 
accidentals. 

When a dot is placed next to a note, its length is prolonged half of its value, thus : ^, is equal to ^^^^ and so on. 

The different species of time are as follows : 

A triplet is known by the figure 3 over or below a group of three notes which are to be perfo rmed in the time of two of equal 
value. A double triplet has the figure 6, and is to be played in the time of four, thus : f f f J J J *'ff* f 000000 



_ Mc «yure. ' 



Rudiments of Music. 

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Bars divide Masle into measures, and doable bars into strains, thus: A Tie or Legato binds two or more notes. A Stnccato indicates that notes shouid be played detached. 



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Bar. Bar* Double Bars. I«egato. Staccato. 

THE CHROMATIC SCALE FOR THE FLUTE, SHOWING THE CORRECT FINGERING. 



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The zig-zag lines denote the fingerings to have been given before. 



6 



On Position, Tone, Ac. 



The first thing to be attended to, in order to acquire an open, clear, and brilliant tone, is to place the flute firmly against the under 
lip, in an horizontal position, with the embouchre or mouth hole turned a little inward, at the same time stopping all the notes closely, 
and holding the instrument as steady as possible when placed to the lips, in order to preserve an equal and uniform sound. This last 
requisite is of material importance, as the turning of the flute will make the tone flatter or sharper. The flute being thus placed, in 
order to produce the required tone, the lips should be braced as much as possible, so as to form a small aperture or opening, the under 
lip covering half of the mouth hole, and blowing downwards gently and steadily into the flute, which, if all the holes are closely 
stopped, will produce low D ; after this note is produced with ease, the pupil may proceed with the ascending and descending notes, 
as laid down in the preceding scale, giving each note a distinct and clear sound, compressing and bracing more firmly the lips to 
produce the higher notes. 

The pupil should stand upright when practising the flute, giving the freest possible expansion to the chest and lungs ; this will 
enable the learner to progress with greater ease and rapidity. 

After using the instrument it should be carefully wiped dry, and placed in a tight box from the air and dust. 



Exercises for the Flute. 



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Double Tongiieing. 

Double Tongueing is a most beautiful articulation, when well played, and produces a brilliant effect in any continued passage. 



Too-tle Too-tle, Too-tle Too-tle. 



The best way of practising it is the following : — 



This should be studied until the second syllable is as distinctly pronounced as the first. 






THE FLUTE TEACHER 



Swedish 

Composed expressly for this 
Work, and most respectfully 




Waltzes. 

Dedicated to Mdlle. Jenny Lind, 
By the Publishers. 



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S*^^*^| ^~*,* — ^H^*i 



Ji 



/ 



siffisSEaEge 



^IB 



Barcarole. 



i^Ha 



« — •- 



V 



H*-: jji- 



-• — »- 



J^SZ 



:4=:t 



-^ a S —^ 



-^- -f^f^- 



g^i igEag^gp 



-•— » 



-•-»-»—( 






=f^=]^ 



z^zMzjtjt: 



n^- 



f.ZJ9 



HiisFlii^ jjg 



r#- 



-51-5^^- 




:t5»t»t^:*t^z|z^: 



:4: 



•^•$C=t 



:^r 



___J — ^^ s^— 






Dolce* 



f^-^ 



Ibi time. 2<l' .t 







A 






/ P 




1 !-«-*»- 



am^iEil 






=tt=^=? 



H 






35 



« — ^ 



//^^ 






-^-P-n 



^ 



20 



No. 3. 

Andante con MoCo* 



jLJL 



'=mi: 






Masaiiiello's Air. 



-9t-0- 



^TS; 



le^zixsz 






:a=lt^5^iiz:^^z±f^^»gz 



,<2 J^ 






ii?Pisil^i"5 






2A lintc. 



:u!2 



:*—,#: 



ptgSsEfe^^E^ 



/^ 



• ,• •*• nine. xn iititc. 



Anflnntino. 







Believe Me. 






?=• 



^^"1 



;5^5-5- 



—I — frl-F^-^rt- 



Cossack Dance. 






S^ 



Allesro SpiriCoso. 

-ib^ ^ 



f-^-- 



'-*- :^z^#iz?z!^ 



/ 






£B 



IJJLzfz^zl 



-fi- -G- 



^: 



:=zH±ztzt=t:zt±i^=tE=£^^*:rf^z-^=f=^ 



-»- -^— •■ 



=/=t^ 



^^z^ttz^l£=:^^i 



..^EE^^Hl^^l 



15^: 



■•-r-l — \ — \ 



— tf-tf-H t-H W- 4Z_ ., -I |G- ^^ .a_^_|__^_ _ _^- 



:trEE5: 



=t^ 



l:p: 



a 



t=»-H- — I— ^-1— Ti — i — \-^o-c-v-^-(-^—'- r- 



.B 



RlBoluto. 



:>! \ — 



/ 



Minuet in Don Juan. 



21 



•=*z£z 






^E^EE^BE^*EB- 






l^-t.^ 









:]^: 



:*i 



.5=p=:s:; 



lizpi 



my 



"^^m 






sp 



-/ 



Quadrilles from Rossini's Opera of Semiramide. 



*-,T-'-»- 



No. 1. ^SeE^^^^^EE^ 



-^-f--^ 



■■ft-^ 



=^^ 



:t^=*i»ztzt::: 




-^^f^T 






i=iT,?&i«i^?Mqi: 



^i^ll^l^ 



#-g-» -#P^-^St- 






S*= 



^•^.. 




22 Quadrilles from Semiramide, concluded. 



'i*^t?i 




-•A* :0 



'^^-•-•^#«»T-# l»#TTr---l»#- 



te 



e:E 



-•-*, 



tt 









Fine. „ -•- . - -^•i 



:^Sli 




lat:»=^itS!?* 



-•-# 



i3S« 



:p=t=ti;;i 



-♦^— • 



'tt 



:a^ 



No. 4. 






Last time from the * 



D C. 







t^^^Si/^?^*^=iS5^=«?= 









No. 5. Zi?fc^ 



^ 



— h- "F — ^ 1 I [_ — « — a 



1 ^- 



?Si2^^ 



*•- 



=^=^ 



ItIZ+^*Z3^ 



> 






65^ 



•-^ -•- 









^b-fr 






=t=:fe 



p=P=«=-- 



•-•^ 



^as^s^^ 






■•-I — •- 



-I — I — i — — ^ 



^^E^ 



^=p; 






The Rose of Allandale. 



23 



F«^^— « — I — '^i^e 



NT-*v-^^jz:*:ri^-r-»- r~ i:T^^=:^^ 



S 



a 



E 



ipz^i 



ii:trzfz*z3t 



P 



/ 



13^!^ 






:t: 



^f 



^^-•- 



t=t 



^P^:*^ 



^3= 



:=Pq 



H *-l 1-'- 



/ 



|r:irzr=pqz^»5rrir=qpzixpiqiqfq::^2=|= 



March in the Battle of Prague. 



/ 






P> 



>> f 



i^= 






:/ 



•- A A -•- A A ^i- _ 



5=*= 



3 



i^E^t§#g^^ggi 



P 



=3= 



Swiss Waltz. 



-> — >- 



is»: 



-2-=?- 



=^ 



^ 







.-^zfe*-*.-*-^, 






24 Cindeiilla Waltz. 



5^ -^ 



■«»-•- 



^i^tO:! 



ir^z^zn 



■f;-=i-(— I 
*• 1 — -i 



± 



^— 



g^^^gg? 



=r 



1^^:^; 



=^^ 



-i — i — h- 

J L^ 




I 









^i^^lgitel^Sgl^ilSm^ 




S^ii^gl^li^ig 






^•-•-^1- 



tt~tr-t-* 



/7> 



=i^' 



// 



:^I^S@^ 



La Cacliiiclia. 



i- -ft- 






:s=£ 



ig^ZE^ 



-»-»-m-0^ 



s^^iggPl 



F— I — -\ — ^t 



f =?*?:ft' "*■ 



1 lit time* 2<1 tiin«>« 







:tq7r:r!-rr 






:fc^ 



#— * 



/ 



tiS 



=*?t 



D. C. 

is 



11 



^^ 



:»=P 



Spanish Patriotic Hymn. 



j^ggg s^ ii^igi gs^igs^isiaiigg : 



*H*^ 



-/- 



'EE. 



-»^-ft 



=tzr^f^i= 



^ 



25 



-/- 



i::ti: 



t=?^S 



fzafz?; 



■&•-•- -•- 






»!i£=*=»5:rf=f2*f£ 



gjgg^lgg^ 



-»-Pl(«- 



:pr^ 






^5B?^^^^EtE^r^^rs^=ir?{>=^ 



// 




Adaaio* 



4£iz» 



•—•-ft 



The Yellow Hair'd Laddie. 



-[: — wtf 



P^ 



fEB!E*El 






;i^=t^ 



-b-*- 



-•-*- 



^£S^i 



^4=Fg^^fc 



I 



s-b-H^ 



-» y •- 






•^^«-# 



-#-^ 



£•- 






-Sli. 



^ 



Allecrrtio. 






^kE^ 



-q_-__*. 



4: 



Eiieig^^ 



John Anderson my Joe. 



i^t 



itiC 



.#J_«- 



^t=:t: 



:p-t 



r *«J 



-far— f— * - 



jfe±: 



m-^U -»- -P- -•- 



-^^^- 



[4] 



^Tit&zfap: 



-•t-« 



Si^^ig; 



-^j- 



W^»- 



I7\ 

-A- 



£-£ 3 bJ= 



j^^E^te EH 



26 ....... The Blue^Bells of Scotland. 

dolce. ""^ ^ ' ■ '—mwm ^^ [— 



. -^ « -•-^-» 



*-—-»- 







-»-f=^^-»-.#^.' 



^i^ 



-•-^ 



-.-fi^^_f;:^^^,^r?*«^^_S;;;i_;^;fq?^*^L„_-i]r 



^g^iiiigii^ ^^^^liiggi ggaE ^ 



Arlnsio. 



P 




Auld Robin Gray. 






-•-I — I — ft 






#3#iiiife 









Moderaio. 



llieres iiae luck about the House. 










No. 



Airs from Bellini's Opera of Norma. 



27 






"^ Cres* y Riinrdau'lo* 






Cre 



-4^^ «^l L^ . 1 ■ ^ 



AlleerO' 

No. 2. ^S=a 






-^^ 



m/)> 



-/) ' > -^■i*«» Jw-.-^.M — -^0* —^ T" "■ — ^ *• 

/' > > Aaiiuato* 

-r-r-T-C=:£zrg=: 3iz:i==z: :=J=d-^~ :"iB=;::t:: : ~^ — r~ i *" : 






I* T — I — ^n** — T ''' ^ -*' T -• — S^-r 



-a- -^•- 







'i.^£=x^^- 



:*E^^E^E^_E^^^^^ 
> > > > 




.0-0- - ^- -f- -*- 

-^^-0 z=:gji3=tT:ig::=3— -:^^q::a:^g:r-Sf a=T l i H — T T 

gJE^^ ^^EJEf :^g:g:gE^£^l--£g::dEz^=Ej=:^^ : 



28 Airs from Bellini, concluded. 

Alle gretto. ^^_ ^ ^ ^ ,''~-^^,' — -, 



^\ 



iJEii*^ 



:E=Sp= 



~f^^a>*—J7^n»^ 



:t=!:: 






mf 3 '^ 3 " 

""">»" -' "■""" ««>ta- TiTc» - - " cen - - - - 






»-| — I — ^#, 



— > =*«<^ 



*^^-^'z5^=rfff. 



m 






No. 4. ttz^"5 



P 



w 



i^^^||E*^^gi|^5Jj?li|ii£ia£|^||j3,^| 



-tt—»- 



Set of QuadiiTles by Herz. 



No. 1. ifcfe 



fcgz 







-•H »- 



:ah:iiz=*i±"d:=t 



^e: 



»-* — I — 4-1 — I — ^ — I — I — *-+- •hj*-*— "-'.^I'-S— F 




-b- 



d^E 



^*zI=::=ti=*=:L 



*=^=ES^E=z^: 



i^=? 



P^^^iE^iiH-igl^i^iiS 



rf 



Nc.2.Szf=qn 



t*T 



•-•-•-•-'-L-» 



Quadrilles by Herz, continued. 29 



*-l=^^ 



=z=gn--b=r^-h^:-p-^-[-- H-^-Ff >-H--h--n--F-h-''^-^^'''''=H-[--r-^i--^"F 



D. C. 



No. 3. jfcHrzE 



^if* 






-XlZZZfu 



-ft-» 



l 









p 



S^^H^I^^^^ 



^t 



W^W=i 



£^S: 



f==f=Ff ^3Eg 



I U Lu ; J 



:^=:^| 



g 



"■ ' ^^^i^^^^E^^^J 



^ -f-l ^- 



Fine. 



-■^-tS. 



-#-#- 



^ 



m-^ii-^-^ 



§=!e^ 



No. 5. £z^ 






-^•- 



:|=t: 



t=U 



=^1 



-Lib=^ 



-1^^ 



:q=:^3=t 



zMzMz^—Mz 



^-1.^. 



:*=•! 



-#-•- 



lazti 



tit=t=Ui: 



in 



^^? 







Fin e. 



-• • 



30 



Quadrilles by Herz, concluded. 



.=ife^=j^^ 






H ^ • — >■ 



-^^eS^. 



E^§lgi5='^^l^g 






1*^1 1- 



^=*r?=fciBi 



Pi 



i==it 






Airs from Bellini's Opera of Somnambnla. 



Moilcrato. > 



r*- 



* ^*%l y ~ P ^"^ " * ritnriU - - - -""" 






"aifSSfifS^^^^^^^^^ 



5 



No. 2. 



Allesrello Moderaio* C >-, ^s — k >-^ ^\ ^ 







e—0~»-»- 



m/ 



,-«-»-•;«■•=* 



■(=-•: 



imii^^Sii^^^i^H 



>» 



:tit: 



«» 



/ 



-t^ 



^: 



^=^^ 



H^EE±I 




No. 3. £55=—*:: 



4E^ 



• • 



t=^--zf:::t 



=E^ 



.»-?-(». 



-(•-• 



P'g^ 



iii^ 






-^S . 



ggE^ 



• — (& 



4= 



T:^'- 



-U» 



Airs from Somiiambula, concluded. 



31 



^^_f=fz?--*-.-^ 



-#- -•-•- 









:«^(=^ 



X=^- 



1—^ ^ — J : kB—pJ — -»- ^ — 



£sl^=£ 



.(■-•-I* 



-*»-n 



gSlEEie 



"«• *■ ^iisii^fei^gisi^ 



■HMri 



TO/) 



-^•= 

r^^* 







»/ CrcN. ^ rilardnndo. 



^ — h; ^ 



rilardjindo* 



^^ ^ ■ -^ 



fe. 







3 3 3 3 



^!i: 



V V 






:;i=p: 



White Cockade. 



V V V V 




N*T 



qSS 



It^^^ 



J=5=^" 



3tiz*z?; 



fe3^Si33^S5; 



i_^ IE — w. W_0—. 



fzMz 



-»±.M-^-irjL0. 



t:p?:p=i:p*i 



S^:SEa 



32 Airs from Donizetti's Elixir de Ammor. 

Incrodnctioii. CRmlnbilc. ^""^ 3 .^^ .^. JfL-^- ^-v. 

^' ^-\j ^ — I ^* '^ »J — J \ ^ ^ « ^~ J —J ' y \^ 

3 



mgi 



m. — . \tm- 






O.I.- 






9-»-i^- 



;sttd=^: 



i^ 



:p=(C* 






•=«cfi« 



^E^J^t-LJ 



-^-'•, 



^^ 



=^T 



•^ 






?D^*±*3zt=f^^^'*-'»^f^ 



HE?=I?^5&n^- 



-#^f. 






3 3 



No. 2. 



Allesro. > > > 



iSEE 



tw- 



ft*i 



jtr.*i 



::t: 



1^ i^- 



'--^^^^. 



> > > 






1st timea Sd time* 









:4: 



-• — I- 



.->-=q- 



11^ 



-w — ^ 



ff 



PP 




_ ^_^^^_^ -'■^^ -^ j-~^^ ■ ,,..— 1^ Pine. ^..^^^ ___•■«■■■■ _*__i^M^^««c« 



Airs from Donizetti, concluded. 33 

Waltz by Donizetti. 



r#. 



=!:d;±:— I 



eESEE 






^p=r-¥: 



-^-tt^'^ 



P 



r^jE^t^-^^ 



T -^•■l- xH 1— I- 



^ii^pt 



q?=e: 



tt 



H 



m/ 






Ij^J! 



:p-t=;!: 



■k~hi-i— t-l — =^ -r t -t— *— H L— I h— ^H — 1 — ^^- -t- UJ^ ii» 



£- t=&J= t:^-^^ 



/ 






mp 

-i i-i-^i-#*- 



H 



•vba— •- 



•l^p: 



-S" 



mf 



March by Donizetti. 



=t=ust 



^;£^E^rt 



^=*^r=* 



*=BESt: 



i-i — •-! — • — 



[&] 



> > 






/=-? 



r' 



34 



•••••-^iST*I^ 



m^m^^ 






Mi n 



A%ma Quickstep 










£=b:=E:^' 



.••*:*-|-h***^T»^»»tf»-^iT»*»-a^»-,^i 






I* 



P 



Jt Introduction* 






=8= 



^^ 



f 



Rory O'More Quick Step. ..^ 6-v.w^c.v^ 



^-^l^^^^^g^iir^ililgliiigg^ 



*:*- 



=*= 



« Cren. r 3 



Irish Washerwoman. - w<^*v- 






La Biondina. 



VENETIAN. 



35 



Allecretio* 







&S3J 



^^;^s^^^^^ 



-•-•-•- 



r=£;=f: 



:p=s; 



g^lEiSs^^ 



,• — f* — I — •- 



-^g^z^^sz^.: -::^zz.z-jzrg: 

J — I — ^_i — 1 1 — I — i-i — 



-i-»- 



!!^a=^z3: 



•-^z^: 



£E 



izqa: 



^^-:=,P=ir 



%zi:f.T-L=nr 



UmLJ — ^^^« 



*- 



:**! 



Andaniino* 






P 



Kitty of Coleraine. 



p 

IRISH. 







1-^ I I ^ -1 — ^— -i — l- 



a=!^r(i:^t: 



i^ 



/ P 

Adeste Fidele. 



PORTUGUESE. 



gM^ ^ ?m'iM m^ ^^M 3^^^^^ ^^^^^^^^^^ 



<r^i^' 



dolce. 



^ig^lS^^^i^^l^S^l^EW^^ 



36 



Duke of Reichstadt's Waltz. 



^IpNlfe?! 






===; 



jaitrjngivir. 



-1 — i-i — 00 0-0-0- 



:ig: 



-V 



=^==i" 



It;::: 



'-lt-'B^0- 



K» W«- 



-• — ,4: -S«>w™^: T 



5 1 — 



-^ — L J — W^ ' — ' ' ^ " — — " — ^ ' 

J 



H \-i^ 



-» -|»- r-i — h— F-«-T-« — — tf-Ti — r-»-j 



;t> I =r 



^-ti==: 



D.iC. TRIO. -1 h 

fel* 



■^-^^f: _ft_pt.^ 



'^'■r-»,^^i^-0Tfi>^» 






zbz 



m^ 




;^ 



fV-f: 



--^•- =?^^ 



Hiigii^Bilg 



-/- 






■»ltzf.f^ 



l«T*=«- 



ibanCS A W Ti(o. nuc 









-z^z^*. 



ZT- 



Air Tyrolien. 



Izzzitz 







--WzzzX 






?=^=*= 



— b*- 



I^-^=^=^T=^— •- 






:5^ 



:=tJ 






•ite«: 



^i=P= 



i^^t 



a 



^Ek 



^ . >- 



=f=ii: 






tT±/ 



^i:"S*£^E 



Rondo by Rossini. 



37 



.0. -0_ 



miisse^^^ 



3 o 



a — >- 



gg| ^ g;g p P^;g p|E^i^^ip g^5^, ^1Sijit^i^^ 



*^"^*' . f J'J 



-(=-(=- 



U Lento* 



/^ #-» 



iiSf 



'&&lz^'^': 



5f 



^H^fei^iig 



^E?aEE 



rH— 



•-=-•- 



:t=* 



Martin Luther's Hymn. 



■I — «-^ 



m 



GERMAN. 



^C g> i- - -sJ p-- -g'- — St- 



=»=p: 



=t^ 



s-\-(^'- 



^^^eI 



?l::_<2- — £3- 



I 



-^- 



i^ 



-g g J 



:=^- 



-<S f2-^ 



:t=t 



^i^i^ii^ 



-o- 



=^=i^ 



^-j.-- 



^ 




2F^ 



lszW^:if~ftzwiM. 



^-^ 






^*-#- 



--?-tt=t=i^ 



Alpine Air. 



-•— »- 



^l=^: 



ti5= 




=iS5- 



-^-•- 



i 



■s\ 



-»-»-W—m^- 



Cres. 



^z^f^tutiM-jtTie. 



^^^, 



±:=I=: 



:±t; 



38 



College Hornpipe. 



^t^ 



n-^tiftt 






^^^m^^^^^^^^^ 



tt—=SSi 



Fisher's Hornpipe. 



,-(^- -*- 



Oh! Susanna. 



Published by pennipsion of W.C. Peters, Esq., 
proprietor of the copy-right. 



'sb- 



4=C 



Isl time. 2H limp. 






:t=:pi 



:t; 



:t=t=:g ->^-i-^-#- g- 



=t 



-k«,a- 



rfi=t- 



Allpcretio> 



Gallopade in William Tell. 



^E^'ii^^^i^ii 



#_^_^-*4,, 



Fine. 






> > > 



Gallopiide in William Tell, concluded. 39 






:^=p: 



*-»-•- 



•-•- 



-I — •-( 






Song of the Mountain. 



^g=*=*- 






-•— «- 



It^ 



^ 



r*: 



irijp 



;=^ 



-•-!-^ 



S 






Cayatina from II Pirata. 



BELLINI. 




Andnntc Cantabile* ^<"i , 



i-h-*==^-^t- 



cou CNuressiottc* 









/ 



Lm-" 



eEeEe: 






AllrsrpICo* 



p 



t^---^-^ 



The German Shepherd's Song 

iK— ^< 1 !__< l»i I ^ 3 '-^S ' F km^d- 



irM •-^— w- 



:t=^ 



i 



40 



The German Shepherd's Song, concluded. 



^^pi^ii^^l^^il^gliiiSi^^^i 



Cavatina from La Yiolette. 



Audaniino* 



^^i^ii 



'■Bf^-^^^^^l^^ 



-»-2 — f^ 












7»r:«:::?^-itti»r?Ei:&^^-E^£^=F^=l 



I 3-*'-h-|--T 



Sl^ 



i^l^^^iE 



a. — . ^ 



(»itff« 



■^^Sfirfi^ 



*#»I?^-f-^ 



id=t-^ 



ffl- 



fezii' 



:S5=: 

3 



7 



ft, 



Mire dans mes geaux tes geux. 



PUGET. 



-»_i?_,_^ 



Etaaa^Bg?,^^ 




-| — r-»-«»P-e-*^T-*— ; ^"'^— I -—-—k-r-* w T-| r**. 



-^ 1 



1 t-i 1 r-H+H :_ 1 W- 



^b=^ 



^SE 






-Br^-K— wr^-i-w — : — T2 — , •-—■ : — aT"" r 7l V ''m~~^ T* "T 







Swedish Air. 



Allesretto* 



: -^=H* 1*'^ 



-J^^^--^ 



-■«» M»- 



-- i*--;-.'- 



?S 



•-*- 



a 






mf 



Swedish Air, concluded. .^ 41 



Allesrctio* 



El Zapateado. 



SPANISH. 




-I"- • 



?^»^F* — =r»^»- 



-^-0- 



ptmrn' ■»— ' 1*'— l-SI £•_' »»'- 



^^!|?i^^Eg5^ilir^Eifeg=,ji^ 












P 



"^mw^^^^^^^m^^^^^^s^^m 



■/=V— ,#T*- 



Antlnntino* 



-^-T-»- 



l^^^l^^^ 



> .,- -«- -^ 



'P 



Russian Theme. 






^- -a- 



1st time* 2d time* 



'^ 



^^: 



fi-i- 



-•-r 



EE^Ezg 






-^=:w-- 



^ 



-fe-f-l L 



-pzz* 



•^ ia -■- — — ^ 



fi-T-^ •- 



-P 



-• i — ' — I — {—'- ' 



^Mm 



■ft—m- 



i=g 



JH — I »-m- 



-,(S>— 7 



#-^-^ 



^ 



-p- 



^^1 



E: 



m/ [6] 



'I — r 






-iS- 



H«_^- 



-•- ^ 



l^t: 



/- 



-* -•- i . — V 



42 



55Etf 



-^ -#-, 



SiiS 



T 



t 



a 



> 



Italian Melody. 



b-^t—m 



■..^^.£Z^^», 



>_ 



J 



;p^_ 



It:- 



> 



il r""^^^ bF<iiiin™)iiiiiMimiinkii>ii" " 



> 



ii 



fe#- -*-. 



■•- 1 r I r---*— r-l •-Ha--*— r- *-i 1 1 — I F- 



—m—r-»—\ \-^*-T-^-m — ■:^r'M-^-»~^-^-'-^-e—^-\ ^-a— fagr-*- 1 " 1— -•— r-| •-fa*--*— r-*-i — 1 — I — I — "-x 

F — ^— -I — 4— I — ^ — r t-r-— ' — ^"^ — ^- ^- — iir^^zr^z?^ ■tzrzhrT::^;^"~;iz' ~' — izzr^ "'~z; 'z'"""^ — '^"^ — st— " 



^:grfi^^^g ^^ ^^ 



La Cracovienne 





"^^^^m 



_1.9t time. 






"i/" D. c. 



E*=5r?=il-K 



...fz^^r--^^. 






Allcsrcifo. 



Maggy Lauder. scotch. 43 

Logie O'Buohaii. 




-^:=^5 



^=^^*J 



A A A__A _.^-v ^ 

==*z=Sz^=*iE^E3z:iS=t:=ElE=:p=^3t=--^£=5EE 



SCOTCH. 



A A 



-F=P 



See 



i^ 



-•-r-iiz*- 






-#-^ 



:b=: 



/ 






-c- 



--T==]= 



:ii: 



g^ 



-<s-^=f>- 



t=^X^ 



» • f » 






;' A A 



— 0—0- -c? 



Allegrello Moilerato* 



^3:zf;;--r= 



eJ^iSiaEiSBE^fS: 



lizp 



Theme Allemand. 



=paEqzq^zq:tzJ=iZzpz 
:^z^E5zizizf±*zzt=t: 



-• — •- 



i 










iiilii 




44 Contra Dance from Spolifs Faust 

r^__ -^ , ^ ^ji.^ ^ ^ 



S=^4?i^E?E^^iEEg?=^SiT^--- 






te-=pzp:: 




MIM-WZV- 



:ib^i: 



:t=t- 



:^=^? 



'rfzpr^r^zz- 



c;i;-5^rt=ziiz» 



:**: 



-•-==!- 






t:#TE: 



Quick Step from Spolir's Faust. 









^-<» 



=p=i:rr"=s=rjBrsi 



e9s:;IBm' — '— 1 1 ' 



^^iSE^E^*:: 






-*-»- 



^— • 



.*r^«. 



-^--•- 



SsE^^iiiliigliiii 






Quick-Step from Moses in Egypt 



45 



IntrodnPCion. ______ "^ ^—^ ."—^ _, — __•_••■•_ — _ t !K—m *-. 






t=#zzi=5=5=Izzj^-^^ r^zf zffz^: 



m 



ziZjs: 



i-i;^::^' 



gzggggz^l^^,^ 



>-ji- *-g *- 



szfr^zazs 



:::t: 



— z??^*<n r IT I — gzesB-3- 






^^-1^^ JjP' Coda* Z> __^__ --""^ 

r?z3z3zt«!z*=z=El^4:zzE=^:±it:zz^i?=zzz?:l;?z*z*z*z^zj:±£zz^z:Ef:=^ 

• '^ linst Time. * ' 

Le Petit Tambour. 



z:f!=: 



FRENCH. 



4^ Allesro MnrciaTp._ 

^ — r!_i_ 



►—*=»-Tv-H=3-3:t-,--^-T-#-»-#— »-*-!-•- i-»T#-T-^f-^-^— ^-^iz^-tz?— ?-?z:f-£tz£-jifzzic:i — 

P 4_J_g z^:zzfz^zf:l4=^;ba:J::l£^=F-E:E^g^gz: 



^3 



Z^Z^Z^Zpzpp * i#Z^-J-#I >=^,-- -J-vF 



^ 

_/ 









.-r::_| — t—^-*^W-- -0-^-0— ^-0-g 



m 



,-j-ir^ 



^g:^^ 



=«rz?z^=pzi_^_^ 



±zzt 



m 



46 Pot Pourri Quadrilles. Masaniello 



BY AUBER. 



:.'^- 



:fc=^-izpz?zi: 



^ziz^z»z^T^^z,#zfzi3-:t^?z*i^^iz^z»zpi 

.— g?g™^ :t_z e;^;ss zzh~^r?;^^:izfc; ;i!;T"r zi 






i*^iiilizeSliie^^^iiiiii^l^siiiii|p 



,. Coda. 

*-Sz=a^iz— •— *-»z^ 



:z?=J=:- 



Les Chernoises. 



rjtZiz~iZM 



ipE 



No. 2. giJz^atzBzpz^z;^; 



=^^:t^=^^: 



^zp:t*; 



BY CHAULIEU. 



;fc*z*=Jt-^=*z*z»i??zzzt2sJ=Ii.tZtztz*J?t?z*zati^zz±^=z=??~^I^ 



^zzjz*:: 



3E,:f:S= 



/ 









3 



q^i^^i^z»rpT^z-»zspz»z"z^z?z»zpziT--zizpziz-=-zz-iizi=zfz^T^zpz?^Tt^ 



X 



Ye Banks and Braes. 



SCOTCH. 



47 



No. 3. isSjiEiS 



^mm^Mi^S^^^^m^mi^^M 



-4-F^-H-j 



0^-JJi^±0^a ^m-»-0-a-*-^-'--t-~^-» — — ti — i — i — *sj:#-*-i-» -->--*-• — —,\ — i — *-i — F-#-r — i — *-#-.-r 



ra^ •-•-*— »-*r-«-*-l--*-» r#-»-^-»-*T-'--t--^-* — Tl 1 1 '^•-'t-* -t— ^'-» —\\ 1 "-1 ^-*-r 1 '-•-«- 1- 



ROSSINI. 



r#irr- 



Le lose. 



No 4 y^£ > P-gTa-*-g-«^-#Tg-)-al •-^-»+#-F-#-#-^-»4*-)-> »-. »-r»-, m-^-> 



.^f 



^-•-, 






-^^ -•- 






WEBER. 



No. 6. i-^nwfZf 



£lEz2 



^ doloe* 



.=*=5r- 



Euryanthe. 

, ^ ^^ , s, f -•- _ ^ 






48 



Allecro Mosleralo. 



Corn Riggs. 



Allecro Mosieralo. _ 






SCOTCH. 



^A 



Cres, 



■#:; 







-»-«:^ 



ESEgEE 



SZ^ZflZ*: 



Ti=t. 



-m~ft^»- 



't^^^^^l 






•->ss/h- 



-•-#■, 



E: 



P 



C'rcsi 



jT^:?:^z?^£: 



ll[ 



, Andnnte* 



S S- 



-^—. 



t±*r£P=-F— ^-*-f --^-+^ -^^^^^^iSi.tZ-rk-h^-^-^^-g-*f-■^-f-^»^ 

German National Air. 

^j--g-|--^g_:j: __e____.. :jzg_^__^_ ^pq: _p_j__ g ^■|qz:_»^_:|: ._-^_---, |g-^_g_[=_| 



HAYDN. 



Roslin Castle. 



-^-•-«-#-* 



■»>J^-t-i — t^^i 



iz: 



:*--.=:^=5£2H 



::tztiz^z*ziz?z* 



1 



=^=^^ir=tSiztzlz;zl:titzrz»z^z^z^I:iz:i?^z:zz^z:fzF2~i;r^ 



P^^=^==z:|=»5?:rq— ;^zz~rzz=T=^zz-^*=^zi?z^ZT^g=^^ 



:^z_z^z*=^zz«z*za 

-I — »-| — I — I — ^-f— 






p^^ 






ETHIOPIAN AIRS. Daudy Jim o' Caroline. 






Sino;, Sing, Brothers Sing. 

^^ — *— -*^ — ^^^-- — ^ — ^ 

M -^- -#- ^ Isl iinie* 2d time. 



No. 2. J!i!g5E'E?EIE'5iE? 



t#^s-.-T- 



:t::::pzii»=:^:=5:±:t:j;=* 



.-=1— ^ 



-^--r-^- 



-> 

-»-T-# 







3 3 ^JL^ ^_i^ 3 

Stop Dat Knocking. 

zd^zzpz^rizjzrz — : — t — ^-* r- * t j 



SOIX). 



No. 3. ^5-9:z^ziz^z?zffZ^^9 



s=r= 



:i-?=Tz?= 




CHORUS. 



CHO RDS. _ ^ 



50 



Rosa Lee. 






:*=^*=E^i=E= 



/ 






— *-©— J — 



51 



i'? 



:p=#- 



5EE£^t='=; 



=t 



'z*==; 



:=«=izi= 



:t=:z=z_=?z*z 



^^ ''I — m — 

—0-J 1 1 y» 

e ^ ^_ 



:z^?'^£^z£z£iz=z^zfz£i=fz^ziz*zf=?zzE 



^l=z^=pzzpziz»E«rfzz^gEfE»E'E^E^3E^E3EE3r3Ei=^I^=iE?E^E^ 
P=^*==tiit^±^==S::£=:^-l;-S==S==-=*3z?E?=?zizii^=L--czfEEz^ 

_^ There is no Home like my Own. _ 

§2 — zz 1-— =:!^zzbzzl^J:zizf.— tfj7— * — i — ^-q- q-g — :p 1— *^_:j,-gy-e_xz 



I- r p«»1 O 1 *_,-#-?-*-^ 



•=P=i: 



z:J=zq^!3" 



ZJ*ZZZ*ZZ*ZZ* 

3 



:iz:^=!fzs=z:t=zz' 

iE?E^EE^E3^ 



z;j:r^zizzzzsz»zr^zz^zbzTz:tzaiz:z^zziz^zzi 



^i^E^iil^liiii^lii^ 



1*==^ 



^zr^z^zzzg: 



&£SEg=E£^EEeE£ 



-»■ -^ 



z*z=?^3: 



~t 



-•---»- 



^^dz=t:zzzE=EiS==|- 



;;:E£EE£E^=^^=f=^=r=^^ 

-I -^z r -^ — ~m— ; — 



:Z^=Z^=ZZl=ZZZZZ3^=TZZZ^! 
.-«__— ^_- m — I f-0 — f 1^' 



EI^^E^l 



=^- 



z3z=*E3=;: 



lEE^^EEEt-S^ 



=:^=q^3:^ 



.t—MzMntz. 

3 



:iz^=:z=3zp 

:&EE2E!:^ 



zMz=^zp 



3-#— T- „ 



i 



Air from Uif Ayeiitiira di Scaramiiccia. 



RICCI. 



-*_ 



Allesro Mocleralo* 



51 



Fine* 






• -fi=-*-«-, 



rr^Zftig^zi^-f -*-!'■: 



-0-0- 



$^z:«z:?;z*- 



-ft-i-, 






:^^r^ 



^-•- 



::f-_?zi?:g^zf:: 



■-lz-z?:g^zp:T-5^z^:z^3: 






delicalo* " 

:??zq^zq=:T:z;z;ffZ^zz; 



iiiiiHiii 



i:T:-ztz^z?:5^:T:^zq^zz=:Tz-;ffZ^zz=p#z^=}::-z-z^z«zz=zr^zp:Tp=l^=re 



Pearl Waltz. 



BY HUNTEN. 




0-0-o-t»'-+'-^-»»g--»-o-«-a-t'-e-a — "t-^^-i — i^-t^-a-»---^-^c5--"Tr^-»3i^f-»-»-»-»t*-*S*-f '•-•-•-•-■!•-•-» — 



f 

:Szzi;z3=^: 






--)_. 



;Bes= 



m 



f 



P 



f 






zi^ufe^i=q=J:]=5=5:q====H^i?=?:J:?«i=«ii:-EEEzs?fes«z-=z:Jq^ 



mf 



r.-#--z'!!!:==;™===?zpiz^»zizq-~=:3:r=~qzTziz,^^ri::;,-*=^z^zT£^^ 
p?:izi^"?=^3^z|rt=^=i=*=z?z=*zsizz*i: :znztEz|i^=£itz|zg=£--z|i^=£3^ jt^tE^^ : 

^^^"—^^ Dim, 

D. C. 



"■ — , — - — is— <f— 



r_f^-^zzg-i>z^^zz^z|z^b,'iz: 



rszsszi 



:*zz?zz»z5iizz*: 

-> — ^ ^ — ^' 



C'res* 



3 Dim. 
O- D. C. 



^^ — - --- ^j "^J ^ 






r-zt=?rt^=:: 



^z^^z^. 



=^tz±z--^-U^ 



52 



Baden Polka. 



t:*;^=:1^;=i- 



■ — I — •-»- 



r_ 



^Z=i^^T^^^:^^ 



,§pzp^»T»=#j^r^z»=*="E:t 






rabra^bars, — tevasainsaa 



BBanaa^OBai ^ — =1-- 



Flow gently sweet Afton. 



-»-- r-* 






Taken by permispion of Messrs. Lea &. AValker, 
o^^ne^8 of Copy Kight. 



5f^ 



^'■^^ 






5c:p: 



-^-#- 



-^^ 



:fiz:w. 



:?z*:i:pzt-ti:it=t; 



-^-•--^•-r-!*-F-^T+^-h^-*-«^«-^ "" — *^ 



z4:::±:tzz:Ez.t:z±:|z:z:t=i-=tz?=~--i;I=zzzz:zz:I-===^:£::Er&i=— T:t£z:zz--^^ 



mf 



■#-»-j--T-»-»--T»-"-»- 



|:liz^zE^i--^p:|:pz:pz^ ^r Ea===E:| :^-- == ^EsE f:±z*z^^ ^ 






H« « » 



:i:i:^=Sz^z»z^[z:T:l:zib:ii:zp=*z*-T:^z;irz:p-zzz-T:z=z=z;T:^z^z?z» 



ft;r— 



Bohemian Polka. 



'^ 



L^t^^^lz^z-^Sz: 



^: 






id-qr-l^^j^^^zTz: 



^^' 



:*z*: 



*rizlz*z»EJzz£ 



:azq:z«=p=L=:z: 

-I — I — I — •- 
:^E=^Sz: 



Fine. 






-g -»-g-H— f 



Bohemian Polka, concluded. 53 

^0~ .--— "— **^ — — ^ 



t±z~r^ 



5=?-i=i-^=f=*-»=i= 



> -•- 



^^E*E?:p 



T^EEB. 



:^=T=»=i=:^=Tzt= 






-F==»=r= 



^— M— 1» — 



?z±=t 



=*=^E?EiE 



D. C. 



m 



Adneio* 



:C55=fn5= 



— P^ ^ 



-•-•-I • 



E^^^^igl^^l^^ 



Roy's Wife of Aldivallocli. 



S: 



-5^r=f^^3j: 



^fe-tiBv- 



Di Tanti Palpiti. 



Alleeretto* 



mp 






•^±r» 






ilj^iii^i^-ii^eis^lillli^ 






54 



/. 



Waltz by Beethoven. 



--|rzi=-r-| — *-Tr-^-*-* 



0-llJi^a^ 






h-^ 



•■»— i— a u mii g iiii l -•- >-L-^=»^n«5W:mtn.=:Ui«! "'--*' 1 -'-•nam— Do— la— •>! -"- >--■-- (j»=»a,ioss»<iU>4>=~ j-J^iia -"-OTBts—' tilZtil "^ 

KSCIL''m.i 'C i— Ci.»/ 









-E^o- k>»i>w C-E3 — ■*— ^.■ii.i k ..... A . | iL ..... to ii.-| — 

O ^Bj^^BOS i!> WmTTTtriTlBllUTIrB l'TTiriT°TlTTr" 






_(«_«,_, 






iz^z. 



3s=l 



•- -•- , 









-I — ^ - 1— I — f 



Weber's last Waltz. 



mf 









— -tf-g-| 1 j 1 g- 

._i__l_u_^-U-_l — I — I — I — I- 4- — 



#-i — ^-1 — W\» 



=F=E^±====z 



/ 















''ii=^"^ 






.1*:^:. 



+?-p-:- 






IZ-H-t-tart 

' ^» Cbsi 



-•zaiLibj^sSzz^r; 






::^^^z*^g^|^z^z^zg:g:^:g|^zgzgz^g|^Ez^^^E|^jZ?|| 



Hunter's Chorus. 



55 



5^s^^5K?^^r 



r^Eit 



-#.••— r-«^*i 



/ 



iiigip^i^fi^iig^i^^^l^ 



a 3 



^^IB^ UBlBllJ 



-»WS- 



i.7,„.,- r^ ~^ 



Ipl^l^^iHgippli^ 



• — •-#- 



3=J=V**""-P* — ?-^4 -a—- — [»- ■ 




'• — ^I-34-4-» — •-»-- 



g^iEE^Effi^S^S 



'^ipzfce 



Sf=tj: 



/ 



# — H-v- -W-*-ki-*- - Lj ^ a-^- ^ — *! ' — *l — t-'^-»n — '-•-»:'■ 



t=^ 



Kelyin Grove. 



SCOTCH. 



rfe-ei 



-J ^tL2 \ . 



^zst 



3Ktei=*: 



& 9 — !- 



=u;3=P=CS 






wi/ 



■1 — 



:t*=i: 



^^=3 3 — r :rrfriz:±=r-Erl-= ^-'^ e3d: 



£tf==t:=^:±=CiLiti 



..i — ]- — 1-^1-^ \ — I — t- «_» — •— j- 



nj — e^Jf-^- 



-0 H^ h- 



i 



Wi/ 



=:#r^ 



F 



•— ^ 



P 






6^' 







^*ri=iJtSa 



?=tSt=t:: 



»v:;-«-r»-* rax*— :^-l5 W-o-t'^^^v-t-^— • ^ ^ i*^"^ — I ' '33 — ^*t~! 1 — 



=SP^ 






i 



2d VARIATION. ., '^ ^— ^ 

rz^^rr»~l — — ^~ i — *-f - ii^^Strpziil rj;ii^^zrtzl:z"*i*"*zpz zfz^zijz"'"" -g-^-^-o — i — -zazaz'z _*zz*z~'z^zzjri 

d VARI ATION . 



",_j^ ;^_ •_ _ ^ ~p — !r~ ^T ^^~~A ^~M ^ ' ^I L^Z^ ^Ti T'~"[ ^ 






Yankee Doodle, with Variations, concluded. 



57 






-0-^-0 



lizzzz^zziTzzzzzz^zzzzZTz^pz-zzii:^— ^=E5^^zzz»^q=zf=:izc=nzpT 
-^-*-^z^zzz»z?zpit=fi=f=*=r=»=*=*»4-^=^^=K^=^=^^=5=E:^^J 



pTESiw pSES£5 Elti-W "^P~°" 



i-jt 



Ini time 



2d time* 



-=?:«:?:«:»— z«T 



— __ ^* — »-| — »-| — a-i — *___-» -| — #-| — #-j_-»____ 




zt-£ 



S-»-P-d>-H>-^— — 3-i — p^— "-«+«-» 



fz^zzszsf— sipzo— -ZtfZsziz— ^ici: 



_j — I , — "'T^ 

— mtM w Ln 'mf — "— - — t»«ii~ T ^ 



I -O' — N f » 

•^ *-izzzz 



EEssliS" 



— Uu^aaslBM ■iirti.Mii ■■■ I \ima 

U(mKa^^mifnm — ^wc^aao^^ — j .vii^ 

iE*£^E?EfEzEtzE?±L»-''+ 



iz«z*z«Ziz*z»zp: 









f:?i^=»^fe 









•1^«- 



Non Piu Mesta March. 



^ 



:«z5Zt::z^J 

h- — ^— ' ^ r- 




■SI ^i^r:r- 




1^ — ^ 



-+ - 




S^tEEES;!: 



H K 1— I 



-h- 1 h 



-i^fgj 1^ !.« -i»- 



-^— =?— t =1- 



pIsiii^iiE^^SEtEs^E* 



:EEE3^ 



E^fe: 



f:-H-+-i 



EiSS 



58 



.jf-^T-^-^ 



w 



^:i=,====Tiz:ip. 



:t=?*f 



Waltz from Le Concert a la Coiir. 

'1= 



AUBER. 



"—g— T — : — -I — '•'- 



/•"' 



I — I — r TLr^ i I — ^Z^_~ 

Rim I ^^~^^^ r" 



ztz^zi^z 



-2i-P--F-P-H-P- 



Rilnrd. 



m/ 



SEE 



a?E?E?E^^eEffit 



r»r-*^*- 



:?t::^ 



32= 



5=t:p:T.-i; 



^t3tt: 



.0 — - — a- 



=:^=*:t: 



H=«=t: 



:£=_-=: 



:d^zp:«iii: 



:*=it 



g^^; 









-1== 



— I 1- 



I 



P 



f 




'^^^^m^^^^^^^ ^s. 



-W-Z^zz^ 



^-i^-r^ 



^ztiz^: titt^pz*! -^zsz3t: 



i==i.r^r==^=^^_.-efe 



^ 



:£fi 



t35^!f=: 



=K:tP 



:«zatf: 



'-T-»-t- 






Marziale* 




s 



;i=^«=?t 



/ 



The celebrated March from I Piiritani 



BELLINI. 



22=?:=^: 



:^B=pzpr:^^:^i: 



T^-rz^zz^i 



1^ |g- <»- 



-b»— I— •■ 



l2.£ 



^^iii^ 



m/ 



^^| jgigrSg;g ;g;gji fe;5gp^g|g^^ ^^i^*^ 



a^ 



■^ 



irt: 






:p=^ 



-^-iriiicirfB 



-USL 



^ 



<»L--I 0- 



•ta^' 



-^-ft-m- 



> > > 



W^ 



ff 



'Wzzfzzjf-rz 



i^ 



i 



Polacca from I Piiritani. 






g^^fcjr g: 



-=^it' 



BELLINI. 



59 










March from the Opera of Otello. 



ROSSINI. 



7^*t*-b«- 



--^z-p^: 



f 



I 1 1 — ^ -BP- 



-^—^^'^^~-^zp^Wzizif=z^:t:iil-i 



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»-»-• 













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Air Originale. No. 6. 



DE BEEIOT. 



r^ T' 



I*-! P^ 

I — >* h 



ZE.Z±L 



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E^ 



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60 Theme Originale. No. 3. 

f" _ 



DE BERIOT. 



j- g'-j^--: 







t^»-0^m-0-»-^t 



:=£^ 



EE 



4 — B= 1— ■! ■ ; ■' 1— ■! 1 



::=^t 



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^j|— © - ^- -h-- 1 — I — i — i — f — > — I — I 



/ 




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=:=«^ 



CHORUSc 



Spanish Warrior's Hymn. 



--8- 



/ 



■tZZMl 



Jiz±. 



l^i^g^^siEiE^I^^ 



i=: 



-K— n- 



^t=^ 



:t: 



EE 



«=t=t=i^ 



:t-ti= 







Fine. AIR. 










5*^^ 



H^ 



t^lzd!!; 



a::^?*^:^^ 






»-^-»\ 



la«: 



P-»-»-» 



g-Jg"^ 



•-«r«z«t' 



^D. C. 



:ESit- 



— l^tr^t^: 



;^Egii^yES£l?l3 



9 
I 



FLUTE DUETTS. 

The celebrated Duo from Linda di Cliamounix. 



61 



DONIZETTI. 






lutroducliou* 
2d FLUTE, 



ff 






■.z^z 



■»-=!-#■ G^-r—Yi — i*-t«4 



g 



Allesro Moderato. 



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^1 



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nE£EE;EE=EEtE:EE, 



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£S^fc=t=;£=^ 



I l | — ! 1 h— F-H-g— g^ 



-^-'=I-*«— ^ 



m-jt-f--n-»-^ — ^±rf=pi« — ^ — if: — if: — ^L:tji_* 

— CKC3--P — \-'^ 1 1 1 1 -^ ' ^ ■ 



771/3 Doeit. ^^ ^_^ — .^ 

r ^" i — > — i-h* — I — M«« — 3# — •— -^-# — \-^-^ — \-w — I- 1 r III r — i-**- -• — ^^ — '^ — '-•'■ 
J 1,—^—^ — ^ ~ ^ — ^ -■ — j^j ij — I ■■ 



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WZ^zrzi^Tir!: 



H 1^— i-,^ — 1*< l-K" l-4-lr<»— ;H-" — 



62 



-#- -• 



Duo from Linda di Cliamoimix, Contiuiied. 



4- — i 1 — ^ * r-i f- 



■M^m- 



H hf 1 ^ 



i?E^^E= 



'=i;^=;r^=:=5t 



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^^ — "" f^ — — '" '^ — ^"1 ^~^ — '~C^* — '*~T^ — ^ ; ~?~ W — • -^-1— t-l — I — ^* ~T^ — *— — "wS — ^^ 



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j-«-»#»-*-t-te*-*-J^T T 



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^ggUpg^g^lll^ 



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-'^-#-^-1 — 1-4-| — I — 1 — I — I — •_-;-L^_J..| tS — I — '^-1 — '^- -^-^-i^-^-\—r'i^^^z,j---f-\-o~»-'-i — J 1-1 — ''f'-'H — Z — -H — ' 



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iJ — l-ll* — h-^ 1* i — *» i-4-K« 1 1 



*— =t==ze:T=z#fz#^T*=»=zzzt~ff==f====t^i^=l;£tEf==^ 
i^U — ^^<Ez^^3zz?!zz^i^zi'^zzz~'^=:f;zE^zzz~'^zr^''^z:^ 



H ^ li*»- 



:q?S=zf^=-z=z 

:ST*z«*j?zi*=3 

^ ^ — .i-^. 



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■M—^—\z—^z 



fl\ 



.ai_l_2S»-Li ! -1 — I -LJ_i a — - — -I — I — -l-*ii i — F-P-H =1— f-- 



Duo from Linda di Chamounix, Concluded. 



63 






M«- 



:zE5E^~EEEEEEiE|E3E?=^ 






■==t==£g 



-^^- ^.,_r^^__^..__:^_ 



SEE^E^EE^: 



i— ^=t:=:;^=?Efi: 



rji*==~a-5, 



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_,_,_?L_-«^,_ 



:^EfEEEEgESEiE 



.ft—^~» 



:=^t=i 



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*=EEE==zzzi 



^e: 



EtEiEtESEtESiEE^iEEESEEE^SS^t 



EEI EEEE E|EEEEEg 



E^f: 



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RRllenlandOi 



piu Allcsro* 



— _-,_• 



§g^Hi3£iggig i£^ g^^£ig |^=g 



-^»- 






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:t==t=t: 



|5il^ 



Three Duetts for two Flutes. 



By BERBIGUIER. 



No. 1. . . . 



-!•-*• 



i^d 



.&•- 



EESEIEEEEEE 



-I — 1 



("-•- 






Aurfniitino. 



.P 



Rinf. 



fz 



fz 









=?::zt=Er 



t^^zlzz^Tt^— Tt^^z^r^-^-*- 



Rinf. 



S5 C, 



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4._*_^Ezc;t=f=^z?zx 



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-^-^ -, ^__^.,.^-.| ^^^_^_^^_^_^ A_^_^XJ:*zU7--ti=p=gz*z^gi.:*iEEzgz &^ ^—^^jj 

^E g p^===g|E^JEg^gE^|ES^gEE|E^E^g|L^EEg^gE^^S^ 



64 ^ Three Duetts for two Flutes, Continued. 



tfc — M~ 



:iz*=»i§*i;*r»z»=fiM* 



mum^m^^^^4mmif^m^m^Mm 



l4»sfiur--^uu»--»i 



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u.—- — PT U-»F-^ |-»£».-L^i T<fH-«««i£^ [trz^~r z*z^zzl *#**Ei 

-•- ^-0-0-0-0^02^^ . -*-^ , ^ 



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66 Three Duetts for two Flutes, Continued. 

u. -•-11-: 1 — I — '-^-•-•bi '» • ' B^-v. P. . . . 1 ^■~i-»- /"Tm '^^ -•- -h- -*"-»-^ 






-*i i =.-^-^r-\ 






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~£r~:i!t:=i3 



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I— '^^— l-rnr— -- 

1 — •F*-**- 



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:^^P='?f9l 



Y/- 



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:^ij: 






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Three Duetts for two Flutes, Continued. 



67 



jS*ri5^»!Sf©=fS:tE=|ngf='='=*=;-f'P?-=S«*iT£3T=? 



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Poco. r Z: 

Tempo di Walse. 



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68 



Three Duetts for two Flutes, Continued. 



O-0 ^^-aT-o-»^J*-^m T — •- 1 — — T 

■ - ' ■ \ — ^fc 1 — I — I — 4 



-J=.- '^ 









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* ;4,;*-+-»-» 






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— [ ^ 



5^eE7 



No. 3 



Temuo di Mnrcia. J J f f 

. — V • . . .«. «.. ^ .^ *' 



^fi-tT^ — I — '-• — I — 



/ 



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— i V- -\ hd — H-* -«^C-u-_, 1 — I — \ — -| — — I — 



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Three Duetts for two Flutes, Continued. 



69 



-^ #^ -^ ^ -#- f: -^- -#-.i . . 









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rfe — \ — ''H — =h — =H — =- 



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••-bo-i-^Lfi .-^..«- .-^.H* .-»-.-(« 



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1-1 _t ! 



70 Three Duejts for two Flutes, Concluded. 






tzin^zi' 



n/^^SB*- a-^ *-•- --^- . -^- . -^ . -^ •-•- . -^- 



ir 



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• « L-^Z^MT. 2^^_X u.^'—- L-«»-» 5^=—- L ^ -1—1 » — 



Pot Pourri for two Flutes, 

ON POPULAR AIRS. 



71 




miimm^^^^^^m^^^^^^^^ 



. Mnrzjale ''"^ 



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g^Eg^^ ^^a^^gS^gEHg 



72 



Pot Poiirri, Coiitiiiued. 



cfc*=f±±r=ri: 



H^SeeeS^E 



-»-»-» — •-* — ^-?-^=^- 



iiTL-t 



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grctto. V 



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Pot Pourri, Continued. 



73 



K-b — I — I — I — I r — •■ 



iBt time* 2d time. 



Igli^E^iig^^^glgg^P^^ 






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^^^^^^^^^"^W^"^^ 



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S=gi^^Ea 5 ^P^ i^gi^|g^i^g|g^^ 



[10] 



74 



Pot Pourri, Continued. 



S^^ 



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m=ms, 



IjSZIZi- 



U.'«>L 



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Pot Pouni Continued. 



75 



$ 



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76 



Pot Pourri, Continued. 



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INDEX 



Aiis {torn Masaniello, 

Auld Robin Gray, 
-Airs from Bellini's Opera of Norma, 
. Airs from Bellini's Opera of Somnambula, 

Airs from Donizetti's Elixir de Ammor 

Adeste Fidele, ..... 

Air Tyrolien, . 

Alpine Air, 

Air from Un' Aventura di 

Air Originale, No. 6, . 

Bergen Waltz, 
Barcarole, 
Believe Me, . 
Baden Polka, 
Bohemian Polka, . 



Christiana Waltz, . 
Casta Diva, from Norma, 
Cossack Dance, 
Cinderella Waltz, 
College Hornpipe, . 
Cavatina from II Pirata, 
Cavatina from La Violette 
Contra Dance from Spohr 
Com Riggs, . 



Scaramuccia, 



Paust, 



Double Tongueing, 
Duke of Reichstadt's Waltz, 
Dandy Jim o' Caroline, 
Di Tanti Palpiti, . 
Dance in the Ballet of Nina, 

Exercises for the Flute, . 
El Zapateado, 
Euryanthe, 
Ethiopian Airs, . 



Fisher's Hornpipe, . 
Flow gently Sweet Afton, 
Flute Duetts, . 



God Save the King, (varied) 
Gallopade in William Tell, 
German National Air, 

Hail Cslumbia, 

Hunter's Chorus, . ; 



19 
26 
27 
30 
32 
35 
36 
37 
51 
59 

13 

19 
20 
52 
52 

12 

15 
20 
24 
33 
39 
40 
44 
48 

10 
36 
49 
53 
79 

6 
41 

47 
49 

38 
52 
61 

14 

88 

48 

18 
55 



Irish Washerwoman, 
Italian Melody, . . 

John Anderson my Joe, 

Kitty of Coleraine, 
Kelvin Grove, 



Le Boquet, Waltz, by Beethoven 

La Cachucha, 

La Biondina, . . 

La Cracovienne, . 

Logie O'Buchan, 

Le Petit Tambour, 

Les Chernoises, 

Le Mose, 



Musical Dictionary, 
Marseilles Hymn, . . 
Masaniello's Air, ... 
Minuet in Don Juan, . 
March in the Battle of Prague, 
March by Donizetti, . 
Martin Luther's Hymn, . 
Mire dans mes geaux tes geux, 
Maggy Lauder, 
Masaniello, 

March from the Opera of Otello, 
Minuetto by Dressier, 

Norma Quick-Step, 
iffon Piu Mesta March, 

Dolte Concento, (varied,) 
Oh ! Susaniiii^ . 



Position, Tone, &c.. 

Prayer from Mosesjn Jigypt, • . 

Pot Pourri QuadriUfc,Tlasaniello, 

Pearl Waltz, . ^ . ^ 

Pulacca from I Puritani, ^f .... 

Pot Pourri, for two Flutes, on popular airs, com- 
prising Hail Columbia, Oh ! Susanna, The Last 
Rose of Summer, Sweet Home 

Quadrille from the Opera of Tancredi, 
Quadrilles from Rossini's Opera of Semiramide, 
Quick-Step from Spohr's Faust, 
Quick-Step from Moses in Egypt, 



34 

42 

25 

35 

55 

16 
24 
35 
42 
43 
45 
46 
47 

S 
17 

20 
21 
23 
33 
37 
40 
43 
46 
59 
77 

34 
57 

16 

38 

6 
14 

46 
51 
59 



71 

13 
21 
44 
45 



Rudiments of Music, . . 

Rory O'More Quick-Step, 

Rondo, by Rossini, 

Russian "Theme, . ... 

Roslin Castle, . . . . 

Rosa Lee, ... ... 

Roy's Wife of Aldivalloeh, 
Royal Hussar's Quick-Step, 

Swedish Waltzes, Dedicated to Jennt Lino, 

Stockholm Waltz, - 

Sweet Home, ..... 

Swiss Waltz, ...... 

Spanish Patriotic Hymn, 

Set of Quadrilles, by Herz, 

Song of the Mountain, .... 

Swedish Air, ...... 

Sing, Sing, I3rothers Sing, 

Stop Dat Knocking, 

Spanish Warrior's Hymn, 

The Chromatic Scale and Table of Fingering, 

Tone, &c., 

The Guaracha, 

The Rose of Allandale 

The Yellow Hair'd Laddie, 

The Blue Bells of Scotland, . 

There 's nae Luck about the House, 

The German Shepherd's Song, 

Theme Allemand, ..... 

There is no Home like my Own, 

The celebrated March from I Puritani, 

Theme Originale, No. 3, ... 

The celebrated Duo from Linda di Chamounix, 

Tliree Duetts fur two Flutes, (Berbiguer,) 



Upsala Waltz, 



White Cockade, 

Waltz by Donizetti, . 

Waltz by Beethoven, 

Weber's last Waltz, . 

Waltz from Le Concert a la Cour, 



Ye Banks and Braes, . . . . 
Yankee Doodle, with three variations, 



3 

34 

3T-*-»~» 
41 

49 

50 " 

63 
78 

11 
11 

18 
23 
25 

28 

39 

40 
49 
49 
60 

5 

e 

19 
23 

25 

26 

26 

39 

43 '•.!.- 

50' ■ ■•.• 

59 

60'. .' 

61 .' 

63.- ■ 

13 

31 
33 
54 
54 
68 

47 
56 



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